A corpus of contrasts. Straight edges, organic curves. Opaque, translucent. Anatomical, abstract.

Paintings and drawings made in the space between control and surrender. Some pieces begin with exact lines — architectural, geological, anatomical — and end where the line lets go: dissolving into gesture, bleeding past the boundary I drew for it. Others begin already loose. Watercolor circles I can't quite contain. Brushstrokes that build their own rhythm without asking my permission.

Structure gives me somewhere to push against. Abstraction gives me somewhere to let go.